Contents:
Foreword: Unencompassable Photography;
Introduction;
1 Images, Photographs and Visual Culture;
1.0 Chapter Introduction - Moritz Neumüller;
1.1 How to Do Things with Photographs:Towards a
Praxeology of Photography - Bernd Stiegler;
1.2 The Photograph as Object - Alison Nordström in Conversation with Moritz Neumüller;
1.3 Photography and/as Art - Charlotte Cotton in Conversation with Moritz Neumüller;
1.4 Photography, Visual Culture, and the (Re)Definition of
the Male Gaze - David N. Martin, Suzanne Szucs, and James W. Koschoreck;
1.5 Unqueer, Lesbian,Trans: Shifting Gazes in Photography
and Visual Culture Today - David N. Martin, James W. Koschoreck, and Suzanne Szucs;
1.6 The Selfie: More and Less than a Self-Portrait - Alise Tifentale;
1.7 Case Study: Migrant Mother. Race and Gender in
the Making of a Photographic Icon - Lisa Richman;
1.8 Documentary Architecture and the History of "Before
and After" Photography - Ines Weizman;
2 Territories
2.0 Chapter Introduction - Moritz Neumüller;
2.1 Other World Histories of Photography: The First
Century of Photography in Asia - Gael Newton;
2.2 Photographing the Mexican Revolution: A Case Study
of Genre and Functions - John Mraz;
2.3 Either We Destroy Everything or We Save Everything - Timothy Prus and Marcelo Brodsky in Conversation with Moritz Neumüller;
2.4 Case Study:The Image of Perestroika. Russian Photography and Visual Culture in the 1980s and 1990s - Irina Chmyreva;
2.5 The Representation of Landscape in Contemporary Chinese Photography - Yining He;
3 Useful Photography;
3.0 Chapter Introduction - Moritz Neumüller;
3.1 Photography Goes to War - Rita Leistner;
3.2 The Advertisement Industry is based on Fear - Erik Kessels in Conversation with Olivia Estalayo;
3.3 A Farewell to the Family Album? (and Case Study on
the Cultural History of Wedding Photography) - Mette Sandbye;
3.4 Architectural Photography: A Medium as a Form
of Useful Interpretation - Rolf Sachsse;
3.5 Case Study on the Photo Booth: Proof, Appropriation,
Identity - Érika Goyarrola;
3.6 Art and Activism - Swaantje Güntzel and Chris Jordan in Conversation with Moritz Neumüller;
4 Redefining the Photographic Medium;
4.0 Chapter Introduction - Moritz Neumüller
4.1 Research-Based Documentary Projects - Stephen Chalmers;
4.2 The Still and the Moving Image - Alexander Streitberger
4.3 Staged Photography - Lars Blunck
4.4 Image–Text Intersections - Federica Chiocchetti in Conversation with Nina Strand
4.5 Tactile Photography - Moritz Neumüller and Andreas Reichinger;
4.6 Photography at the Borderline - Roger Ballen;
5 Rights and Markets for Photography;
5.0 Chapter Introduction - Moritz Neumüller;
5.1 The Contemporary Art Market - Alexander Rotter in Conversation with Moritz Neumüller;
5.2 The Market for Photography - Simone Klein in Conversation with Moritz Neumüller;
5.3 Collecting Photography - Pavel V. Khoroshilov and Anastasia Khoroshilova in Conversation with Moritz Neumüller;
5.4. Copyright and the Art Market: Strategies of Control
and Shortage - Wolfgang Ullrich;
6 Dissemination and Education;
6.0 Chapter Introduction - Moritz Neumüller;
6.1 The Photographic Display: A Short History - Alessandra Mauro;
6.2 The Revised History of the Photobook - Gerry Badger and Martin Parr in Conversation with Moritz Neumüller;
6.3 Case Study on Shoji Yamagishi, Editor of the Japanese
Photography Magazine Camera Mainichi - Susumu Shimonishi;
6.4 Case Study: Cuadernos de la Kursala - Jesús Micó;
6.5 Photography Theories and Photography Education:
In Historical Perspective - Peter Smith;
6.6 Photographic Education:The Case for Visual Literacy
in the Twenty-First Century - Michelle Bogre;
6.7 Case Study in Online Learning: Learning to Look Critically with The Museum of Modern Art’s Seeing through Photographs - Sara Bodinson and Sarah Meister;
7 Outlook;
7.0 Chapter Introduction - Moritz Neumüller;
7.1 Kick-off Images - Annekathrin Kohout;
7.2 Shopping for God (and the Indecisive Moment) - Robert Cook;
7.3 Case Study: LensCulture - Jim Casper in Conversation with Moritz Neumüller;
7.4 Homo Photographicus - Joan Fontcuberta;
7.5 Post-Post-Photography- Friedrich Tietjen